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I'm cross-legged on my bed
back straight and self-conscious
like the first-time teacher walking by in class
but this isn't class. Lie down. Relax clutch. Breathe.

[In those periods, I'm wrong already:
you won't punctuate. You don't want me to need it. It's okay. I'm doing this for myself.]

I lean into the
enjambment, bank the turn, breathe the whistle of wind.
Maybe I should slow down -- would you slow down?

Steeling myself
to relax, I dictate
you in strict meter and hushed tones.

It's okay.
Nobody past the door will hear.

I interpret. I embellish.
I pulse. I build.
I sing your rhythm.

In the last syllable,
I sigh, completed,
alone
but closer to (understanding) you.


This is a memory two years stale drawn sideways because halfway through writing I looked at it and saw something else. feedback is (as always) welcome.

Date: 2007-01-29 01:29 am (UTC)
From: [identity profile] shaktool.livejournal.com
I am particularly flummoxed by your use of the word "steeling".

Date: 2007-01-29 01:46 am (UTC)
From: [identity profile] godream.livejournal.com
Good-flummoxed or bad-flummoxed or just flummoxed?

Date: 2007-01-29 02:04 am (UTC)
From: [identity profile] shaktool.livejournal.com
Oh I see, "to steel" can also mean to "strengthen", not just "to plate with steel". That makes a little more sense. I don't think being covered in steel would help me read a poem. :P

Now I'm amused at your use of parentheses to make a double meaning. And wondering how self-referential this is. Because if it's as self-referential as I'm starting to think it is, it's pretty genius.

Date: 2007-01-29 06:19 am (UTC)
From: [identity profile] godream.livejournal.com
*grin* The literal sense of steel could definitely get you all sorts of interesting acoustics, at least... ;)

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